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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the words: Robert Lippock
9 December 2001
The Arches

Robert Lippock

Robert Lippock

To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.

INSTAL 01
Four people sat around a table on a stage. They are having a discussion.
23 October 2016
Tramway

Prefiguring the World We Want to Live In

Che Gossett Kai Lumumba Barrow Miss Major Tourmaline

How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.

Episode 8: Refuse Powers’ Grasp
a figure bathed in red writhes as they perform with a red light in their mouth
24 May 2013
Stereo

Hidden in Plain Sight: Club

boychild DJ Sprinkles Vjuan Allure Pony Zion

The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.

Episode 5: Hidden in Plain Sight
arika_ep6_IMG_5024
26 September 2014
Stereo

Make a Way Out of No Way: Club

Kia Labeija MikeQ Miss Prissy Pony Zion

Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?

Episode 6: Make a Way Out of No Way
B&W film still of a boy jumping from one roof to another, taken from below
26 September 2014
Tramway

Killer of Sheep

Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.

Episode 6: Make a Way Out of No Way
Daniel Carter, Andrew Barker & Sabir Mateen performing at MLFC 07
13 May 2007
The Sage Gateshead

Daniel Carter, Andrew Barker & Sabir Mateen

Daniel Carter Sabir Mateen

Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.

Music Lover’s Field Companion 07
A woman looks towards the camera from the a low angle, there are trees behind
19 April 2015
Tramway

Standing in the Flesh

Hortense J. Spillers

In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?

Episode 7: We Can’t Live Without Our Lives
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
A diagram representing a tarot reading with lines and writing
16 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

Episode 7: We Can’t Live Without Our Lives
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
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