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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

A hand frames the word Panther written on a brick in pen
11 October 2008
DCA

Film Programme: Zorns Lemma

Hollis Frampton

One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.

Kill Your Timid Notion 08
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
Jarrod planting seeds in little cardboard plant pots, with a pink watering can
28 February 2010
DCA

Jarrod Fowler

Jarrod Fowler

What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?

Kill Your Timid Notion 10
Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
A B&W collage of workers with a list of healthcare jobs as the background
15 April 2015
Tramway

Work Care Class 1 – Care & Work

Howard Slater

First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?

Episode 7: We Can’t Live Without Our Lives
13 April 2007
DCA

KYTN Salon: Post Consideration

Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine

Post consideration and post rationalisation… How do we think about experimental music and film after the performance?

Kill Your Timid Notion 07
People milling around with sheets of paper, passing them
14 November 2010
Tramway

Paper Piece: Secrets

Brandon LaBelle

Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd

INSTAL 10
A screen showing a cross of light with some green shade in the foreground
18 February 2006
DCA

Hototogisu & Bruce McClure

Bruce McClure Hototogisu

A collaboration bringing together artists with a shared gravitational heft to their work; an intense and concentrated accumulation of detail and power.

Kill Your Timid Notion 06
A Special Form of Darkness Poster Graphic
24 – 26 February 2012
Tramway

Episode 2: A Special Form of Darkness

A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?

Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
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