 
Icebreaker International
Icebreaker International
An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.
 
A Festival supporting the struggle for Sex Workers’ Rights: share knowledge, discuss, dance and strategise!
 
An original and beautifully simple performed installation forging a direct link between sound and image.
 
Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.
 
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
 
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
 
“Introduction to Protactile Theory” is a legendary seminar that facilitator John Lee Clark has designed to bring diverse communities into conversation with the Protactile movement.
 
A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”
 
Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
 
The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.
 
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
 
A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.