A Plot, A Scandal
Ligia Lewis
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.
Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?