What we wrote at the time: Who: Purveyor of precise, dense, compact, ruthless computer noise music, often focused on how sound creates/ changes space and how space changes/ creates sound. ¹

What: A multi-speaker, electronic, spacious and spatial performance to fill all of Tramway 1: hard, challenging, alien sounding – exactly what an absolute computer music should be.

Why: Odd as it may seem, we can listen to our own ears, as well as to space. Listening to ourselves listening is both a weird phenomenon and a kind of existential conundrum – which spaces are physical, and which are only perceived; what is the link between thought and the world? Speculative Solution ² uses the ideas of hyper-chaos, thought and it’s relation to the world proposed by one of the most exciting philosophical books of the last 5 years ³ to create a music in which there is no such thing as cause and effect; it turns ideas into a physical, spatial, (at times brutal, at others quite affecting), experience.