Kill Your Timid Notion 07
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”