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The blurry figure of a dog crosses the camera, entering a doorway

My Dog Is My Piano

My Dog Is My Piano

An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations. There is no documentation available for this event, although it was reviewed by Amy Bromley for the Glasgow Review of Books.

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What we wrote about it at the time: What if we extended the queer blurring of borders between genders and social hierarchies further, to also re-write human-animal relations as a kind of companionly intra-activity? “My Dog is My Piano” sketches a subtly analytical and subjective acoustic portrait of the affinity between Baehr’s mother and her dog. Can the house they share be read as the musical score for stories of canine-human living together? What kind of language emerges from this long duet of everyday comings and goings, of these choreographies of affinities?

Photo: © Antonia Baehr/make up productions


Concept, Composition, Performance: Antonia Baehr

Dramaturgical advice: Valérie Castan

Sound: Fred Bigot

Light Design: Sylvie Garot, Georgia Ben-Brahim

Sound Mastering: Angela Anderson

Organiser: Alexandra Wellensiek

Production: make up productions

With the support of: FAR° festival des arts vivants (Nyon)

Thanks to: Bettina von Arnim, Tocki von Arnim, Donna J. Haraway, François Noudelmann, Avital Ronell, Gertrude Stein, Villa Gillet / Walls and Bridges NYC. Infinite Affinities – Chords and Discords

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