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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
Two photos of women in 40's costume sat at an old desk
4 May 2012
Whitney Museum of American Art

Comrades of Time

Andrea Geyer

Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.

A survey is a process of listening
A blurry crowd mill on dance floor in the centre of a theatre space
13 November 2010
Tramway

Speculative Solution

Florian Hecker

A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.

INSTAL 10
Text super-imposed on two people
21 October 2016
Tramway

Queer Liberation: No Prisons, No Borders

Dean Spade Hope Dector Tourmaline

A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.

Episode 8: Refuse Powers’ Grasp
Arika_Episode5_Photo_AlexWoodward-31
25 May 2013
Tramway

We have something to say about… Pt1

Ann Cvetkovich Eboni Marshall Turman Frank Roberts Michael Roberson Robert Sember Terre Thaemlitz Vogue’ology

A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.

Episode 5: Hidden in Plain Sight
Eddie Prevost and John Tilbury against projection of a large red bus
10 December 2004
DCA

AMM & Malcolm Le Grice

Malcolm Le Grice AMM

One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades

Kill Your Timid Notion 04
The blurry figure of a dog crosses the camera, entering a doorway
26 May 2013
Tramway

My Dog Is My Piano

Antonia Baehr

An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.

Episode 5: Hidden in Plain Sight
a fisheye lens looks up a blue sky with skyscrapers towering around
14 April 2007
DCA

Film Programme 1: In + Out

Guy Sherwin Various Artists

Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.

Kill Your Timid Notion 07
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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