
John Lee Clark
John Lee Clark
An invitation into languages field of touch; to speak in feeling together.
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An invitation into languages field of touch; to speak in feeling together.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.
Arrive, get settled, be hosted and meet-up in IRL and URL.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.