Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
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African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
Take a break and/ or hang in an Open Meet Up in IRL and URL
Profound mathematical ideas for romantics, to help us linger in the difference we share.