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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
16 November 2024
Tramway

The We of revolutionary love

Houria Bouteldja

The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.

Episode 11: To End the World As We Know It
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
A street in Egypt, during the day time, filled with people going about
22 January 2012
CCA

Too Soon, Too Late

Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.

Episode 1: A Film is a Statement
A store front after Hurrican Katrina, chairs are scattered about in the street
23 March 2012
Tramway

Notes on the Emptying of a City

Ashley Hunt

A dismantled, performed film, where a narrator pieces together the sounds, images and storytelling of a documentary about Hurricane Katrina before a live audience.

Episode 3: Copying without Copying
Arika_Instal08_BryonyMcIntyre_TM - Incapacitants 467
15 February 2008
Stereo

Incapacitants

Incapacitants Junko Kazuo Imai

Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.

INSTAL 08
A woman in a white dress jogs across a frame screened on a wall
27 February 2010
DCA

Film Programme 2: Repetitive Actions

Emma Hart Guy Sherwin Morgan Fisher Various Artists

Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.

Kill Your Timid Notion 10
Vanessa Place reading from white papers in a black room
12 November 2010
GFT

Notes on Conceptualism Lecture

Vanessa Place

Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.

INSTAL 10
Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
arika_ep7_IMG_6136
17 April 2015
Tramway

Ueinzz Context

Ueinzz

An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.

Episode 7: We Can’t Live Without Our Lives
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
six red umbrellas on a white background
4 March 2018
MoMA PS1

Sex Workers’ Festival of Resistance NYC

For this day-long festival, sex workers and their allies from New York, the tri-state area, and Europe will gather at MoMA PS1 to debate, perform, dance, strategize & share knowledge.

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