Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.
The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
