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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Bridget Hayden playing a violin with Vibracathedral Orchestra
21 May 2005
The Sage Gateshead

Vibracathedral Orchestra

Vibracathedral Orchestra

Veterans of the psych-infused UK free noise scene, the Vibracathedral Orchestra is a hypnotic ur-drone group hailing from Leeds.

Music Lover’s Field Companion 05
silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
Keiji Haino talking to Alan Cummings
21 May 2005
The Sage Gateshead

The Secret of Music – discussion

Alan Cummings Keiji Haino

Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.

Music Lover’s Field Companion 05
Robert Softley Gale working at a computer next to a bath robe
18 November 2017
Tramway

Discourse or Intercourse: One on One

Robert Softley Gale

Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?

Episode 9: Other Worlds Already Exist
Inter title from the film Haxan
18 October 2003
DCA

Haxan: Witchcraft Through the Ages

Mirror Phantom Engineer

Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.

Kill Your Timid Notion 03
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Snapchat of street at night lit with white polythene covered boards
16 November 2017
Many Studios

Anal Panopticon

Huw Lemmey

Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.

Episode 9: Other Worlds Already Exist
Mujeres Creando red banner says creativity is an instrument for social struggle
22 October 2016
Tramway

Recipes to Change Society

Mujeres Creando

A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.

Episode 8: Refuse Powers’ Grasp
Michiyo Yagi is bent over a large koto stringed instrument in a pink light
15 February 2008
Stereo

Michiyo Yagi

Michiyo Yagi

Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.

INSTAL 08
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
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