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A gloomy corridor

Fugitivity and Waywardness

Fugitivity and Waywardness

An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.

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To be marooned, a fugitive in flight, is not always a bad thing. It can only mean, at the best of times, that one is pursuing love. – Joy James.

An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’.

What we wrote about it at the time: To be fugitive is to be criminal, at large, in flight. The wayward is that which deviates, is disobedient, insubordinate, ungovernable. But there is no shame in such criminality and unruliness. Instead, the fugitive or wayward disprove the racist, sexist, classist ideologies that deems them as such. They insist that resistance is prior to power – the endlessly differentiated messiness of everyday life already exists, and should be conserved, moved, insisted upon. What are the politics of the wayward or fugitive, of self-defence, self-organisation and flight? What can we learn from runaway slaves, maroon societies and the underground railway, from queer counter-publics and from waywardness in Glasgow today?

Fred is one of the great poets, educators and theorists of blackness and fugitivity. Saidiya’s book Scenes of Subjection… is one of the most telling contributions to current black thought – she is currently working on ideas of waywardness.

Links
Fred Moten reading I Ran From It and I was Still In It Black is, Black Ain't - a lecture by Saidiya Hartman Collective Head - a lecture by Fred Moten Fred Moten reviews Saidiya Hartman's book Scenes of Subjection

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Copyright © 2015
Saidiya Hartman looks towards Fred Moten as he addresses the audience

▴ Credit: Alex Woodward

Saidiya Hartman looks towards Fred Moten as they discuss together

▴ Credit: Alex Woodward

Saidiya Hartman smiles as she looks at Fred Moten talking

▴ Credit: Alex Woodward

A long shot of a large group sat around in discussion around a large table

▴ Credit: Alex Woodward

Fred Moten in profile hands on chin as he listens to the conversation

▴ Credit: Alex Woodward

Fred Moten head back gesticulates as he addresses the group

▴ Credit: Alex Woodward

Saidiya Hartman smiles as she looks at Fred Moten talking

▴ Credit: Alex Woodward

Three members of the audience at the table listen

▴ Credit: Alex Woodward

Thre

▴ Credit: Alex Woodward

Charleen Sinclair addresses the group as Michael Roberson looks towards her

▴ Credit: Alex Woodward

Arthur Jafa gesticulates as he addresses the audience

▴ Credit: Alex Woodward

Saidiya Hartman looks towards Fred Moten as he addresses the audience

▴ Credit: Alex Woodward

Saidiya Hartman looks towards Fred Moten as they discuss together

▴ Credit: Alex Woodward

Saidiya Hartman smiles as she looks at Fred Moten talking

▴ Credit: Alex Woodward

A long shot of a large group sat around in discussion around a large table

▴ Credit: Alex Woodward

Fred Moten in profile hands on chin as he listens to the conversation

▴ Credit: Alex Woodward

Fred Moten head back gesticulates as he addresses the group

▴ Credit: Alex Woodward

Saidiya Hartman smiles as she looks at Fred Moten talking

▴ Credit: Alex Woodward

Three members of the audience at the table listen

▴ Credit: Alex Woodward

Thre

▴ Credit: Alex Woodward

Charleen Sinclair addresses the group as Michael Roberson looks towards her

▴ Credit: Alex Woodward

Arthur Jafa gesticulates as he addresses the audience

▴ Credit: Alex Woodward