Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
