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Eye Contact group on stage in pink light at INSTAL 06

Eye Contact

Eye Contact

What we said at the time…

Eye Contact features three of the most exciting names in this generation of free jazz musicians; breathing new fire into the living tradition. Matt Lavelle’s trumpet and bass clarinet work has a fierce emotional honesty and a tone that’s warm and rich, yet also nerve shredding. His trumpet playing in particular makes use of Middle Eastern scales that lends a unique richness to his sound; there’s a depth and emotion to his playing that’s totally disarming and very affecting. Matt Heyner is some kind of underground hero with a wealth of influences spanning fire music and death metal, and a personal vision and lyrical styles that makes him one of the most in demand improvisers in NYC. Sawyer plays in a clutch of the most exciting groups just under the surface of New York’s free jazz scene; his agility totally key to this trio.

So I guess you might expect some flat our free blowing and relentless assault from these guys, but Eye Contact exhibit a finely pitched restraint, swinging between quiet, somber resolve to long stretches of full blown blasting and teeter on the point of incandescence; they never go past it, but certainly come close. Heyner’s ecstatic arco buzz and his agility act as a kind of magnetic centre to the group, around which Ryan Sawyer rolls in rim shots and shivering cymbals and Lavelle explodes out in a rasping trumpet barrage or down into longing, gossamer lyricism.

This is their first ever UK show.

Documentation

12 images, 1 video, 1 audio
Audio Recording
CC BY-NC-ND 4.0
A man plays a trumpet facing away, a drummer and a double bass to the rear

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light, bass, drums, trumpet left to right

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light, bass, drums, trumpet left to right

▴ Credit: Bryony McIntyre

Double bass and drums left to right with pink light

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light at INSTAL 06

▴ Credit: Bryony McIntyre

Close up of double bass being played by man with long hair

▴ Credit: Bryony McIntyre

A man with long hair playing a double bass

▴ Credit: Bryony McIntyre

A man playing bass clarinet lit  in purple light

▴ Credit: Bryony McIntyre

A drummer looks down onto some drums

▴ Credit: Bryony McIntyre

A contorted bass player invisible except for hands and belt

▴ Credit: Bryony McIntyre

A bass player in a bin, drummer on stage in the background

▴ Credit: Bryony McIntyre

Bass player in a bin his colleagues looking on from behind their instruments

▴ Credit: Bryony McIntyre

A man plays a trumpet facing away, a drummer and a double bass to the rear

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light, bass, drums, trumpet left to right

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light, bass, drums, trumpet left to right

▴ Credit: Bryony McIntyre

Double bass and drums left to right with pink light

▴ Credit: Bryony McIntyre

Eye Contact group on stage in pink light at INSTAL 06

▴ Credit: Bryony McIntyre

Close up of double bass being played by man with long hair

▴ Credit: Bryony McIntyre

A man with long hair playing a double bass

▴ Credit: Bryony McIntyre

A man playing bass clarinet lit  in purple light

▴ Credit: Bryony McIntyre

A drummer looks down onto some drums

▴ Credit: Bryony McIntyre

A contorted bass player invisible except for hands and belt

▴ Credit: Bryony McIntyre

A bass player in a bin, drummer on stage in the background

▴ Credit: Bryony McIntyre

Bass player in a bin his colleagues looking on from behind their instruments

▴ Credit: Bryony McIntyre

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