
After…After…(Access)
Jordan Lord
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
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A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
We’ll be looking at decolonising ‘global mental health’. We’ll look at the concepts of decoloniality, of things being ‘culture bound’, and at hermeneutical injustice* as ways to examine dominator knowledge systems, and the institution of psych/iatry.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.
We’ll be looking at reframing trauma, how we might understand trauma in the bodymindsoul, taking a look at the physiology of trauma, forms of trauma, and at ways to mitigate and heal trauma.
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.