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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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A mesmerising shot of light reflecting, golden, off many hundreds of thin wires
21 November 2019
Tramway

Corpus Infinitum

Denise Ferreira da Silva

Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?

Episode 10: A Means Without End
Dawn Kasper in a yellow jacket and bare legs moves equipment
25 February 2012
Tramway

Become What You Are

Dawn Kasper

Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.

Episode 2: A Special Form of Darkness
A shadow crouches on the floor amongst mic stands and boxes, one light source
28 February 2010
DCA

Taku Unami

Taku Unami

Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?

Kill Your Timid Notion 10
A close up of  trombone horn
14 October 2006
The Arches

Creative Music Workshop

David Dove

Dave will lead a session created for teenagers and designed to stimulate a supportive environment for artistic exploration through music improvisation.

INSTAL 06
The blurry figure of a dog crosses the camera, entering a doorway
26 May 2013
Tramway

My Dog Is My Piano

Antonia Baehr

An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.

Episode 5: Hidden in Plain Sight
Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
A film still image is distorted, turning the image of a couple into liquid
11 December 2004
DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04
Philip Jeck backstage working with old turntables
18 October 2003
DCA

Philip Jeck

Philip Jeck

Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.

Kill Your Timid Notion 03
A survey is a process of listening
2 – 6 May 2012
Whitney Museum of American Art

A survey is a process of listening

A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).

A dark room and Tone is performing at a laptop.
4 May 2012
Whitney Museum of American Art

Paramedia

Yasunao Tone

A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.

A survey is a process of listening
Keiji Haino's face and hands blurred in circular movement on stage at MLFC 05
20 May 2005
The Sage Gateshead

The Secret of Music

Keiji Haino

Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.

Music Lover’s Field Companion 05
8 – 9 November 2025, 09:30

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

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