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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A circle of chairs facing inwards
14 November 2010
Tramway

The Echo Project

Brandon LaBelle

The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.

INSTAL 10
A woman rides a motorcycle against a sunset lit sky
21 January 2012
CCA

Nina Power discussing November

Hito Steyerl Nina Power

Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).

Episode 1: A Film is a Statement
Sgaire Wood wearing a large green and grey witch mask
19 November 2017
Tramway

Sgàire Wood

Sgàire Wood

A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.

Episode 9: Other Worlds Already Exist
We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
A long distance shot of a dark theatre stage piled high with cardboard boxes
26 February 2012
Tramway

Inhuman Grand-Guignol Theatre

Taku Unami

Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.

Episode 2: A Special Form of Darkness
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Lutz Becker reads a text, seated cross legged on a platform, against a blank wal
20 January 2012
CCA

Kino Beleske (Film Notes)

Lutz Becker

Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.

Episode 1: A Film is a Statement
A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
Ruins drummer at KYTM 03
19 October 2003
DCA

Ruins & Ian Halliwell

Ian Helliwell

Giants of the Japanese avant-rock scene Ruins are a hardcore prog rock bass + drums duo led by drummer extraordinaire Tatsuya Yoshida and joined in Dundee by Sasaki Hisashi.

Kill Your Timid Notion 03
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

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