The View From Nowhere Part 2
Alexi Kukuljevic Mark Fisher Ray Brassier
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.
Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
A series of reality dramas happening over the course of the weekend.
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.