Eclipse of the Moon from the Backyard
Koji Asano Paragon Ensemble
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.
Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
A conversation of intergenerational trans-resistance and anti-racist fierceness between two of the most inspiring public speakers we know.
Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Guy Sherwin gives a kind of annotated, chat through his optical sound films