Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
No Wave, damaged garage jams and crazed instant vocal shrieks.
Edinburgh. Sinewave manipulating Giant Tank-ette goes head-to-head with Decaer Pinga’s first lady of noise.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
