Icon’s Lunch
Various Artists
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
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This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.