Wadada Leo Smith & John Tilbury
John Tilbury Wadada Leo Smith
How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
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How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.
Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.
Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.