
Emma Hart & Benedict Drew
Benedict Drew Emma Hart
An original and beautifully simple performed installation forging a direct link between sound and image.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An original and beautifully simple performed installation forging a direct link between sound and image.
Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.
Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Akio Suzuki and John Butcher performing by the Stones of Stenness, instead of the Ring of Brodgar, because of bad weather.
Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.
Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.