Jennifer Reeves & Anthony Burr
Anthony Burr Jennifer Reeves
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
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An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Save the dates for Episode 12.
Wednesday 11 – Sunday 15 November 2026
Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.
A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.
Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?
A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.
A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).