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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Michael Pisaro smiles into the camera against a light background
21 March 2009
The Arches

An Unrhymed Chord

Aileen Campbell Eva-Maria Houben Jean-Philippe Gross Jerome Noetinger Klaus Filip Michael Pisaro Neil Davidson Nikos Veliotis Radu Malfatti Seymour Wright Taku Unami Toshimaru Nakamura

From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.

INSTAL 09
Lee Patterson adds a spoon of powder to a large glass of water
15 February 2008
The Arches

Self Cancellation – Vessels

Lee Patterson

In this response to the Self Cancellation project, Lee Patterson dissolves medicine in glasses of water and explores the sonic content.

INSTAL 08
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
Oshiri Penpenz singer lit from above at INSTAL 06
13 October 2006
The Arches

Oshiri Penpenz

Oshiri Penpenz

No Wave, damaged garage jams and crazed instant vocal shrieks.

INSTAL 06
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
A man holding a flying v guitar above his head
14 October 2005
The Arches

Black Boned Angel

Black Boned Angel

Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.

INSTAL 05
Carsten Nicolai operating some equipment near a projection
17 October 2003
DCA

Alva.Noto

Carsten Nicolai alva.noto

60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves

Kill Your Timid Notion 03
Arika_Episode6_BMcIntyre_-11
18 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

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