Cartography of Exhaustion
Peter Pál Pelbart
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.
An original and beautifully simple performed installation forging a direct link between sound and image.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.