Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (702)

Order by
Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka at MLFC 07
12 May 2007
The Sage Gateshead

Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka

Kan Mikami Masayoshi Urabe Toshiaki Ishizuka

HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.

Music Lover’s Field Companion 07
Taku Unami looks moodily at a computer screen darkness all around
22 March 2009
The Arches

A Signature of the Room

Jean-Luc Guionnet Taku Unami

Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.

INSTAL 09
Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
theeyeandtheear
15 April 2007
DCA

Film Programme 6: Contrast

Various Artists Guy Sherwin

Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.

Kill Your Timid Notion 07
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Sgaire Wood wearing a large green and grey witch mask
19 November 2017
Tramway

Sgàire Wood

Sgàire Wood

A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.

Episode 9: Other Worlds Already Exist
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Several rows of audience members smile and one has a hand raised
17 April 2014
The New School

Ballroom Town Hall Meeting

Various Artists

Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.

Master Ballstar Weekend
Masayoshi Urabe portrait in black and white
17 October 2004
The Arches

Masayoshi Urabe

Masayoshi Urabe

Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.

INSTAL 04
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×