Overheard (Suspension of Belief Sketch 4)
Resonance Radio Orchestra
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
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There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee
Take a break and/ or hang in an Open Meet Up in IRL and URL