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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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The porcelain head of a doll stands out from a black background.
30 September 2020

Not Going Back to Normal

Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.

An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
Image with the words: Robert Lippock
9 December 2001
The Arches

Robert Lippock

Robert Lippock

To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.

INSTAL 01
Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
A masked figure holds a microphone in stark lighting
15 October 2005
The Arches

Sun City Girls

Sun City Girls

Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.

INSTAL 05
Jarrod planting seeds in little cardboard plant pots, with a pink watering can
28 February 2010
DCA

Jarrod Fowler

Jarrod Fowler

What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?

Kill Your Timid Notion 10
Sean Meehan performing in a on a curved wall before an audience
6 July 2007
Union Terrace Gardens

Shadowed Spaces Aberdeen

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Shadowed Spaces
Other Worlds Already Exist: text in pink on blue background
16 – 19 November 2017
Tramway Kinning Park Complex Many Studios

Episode 9: Other Worlds Already Exist

4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.

A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Beams of light fanning out from the right in bands of green and white
15 April 2007
DCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Kill Your Timid Notion 07
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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