Wadada Leo Smith & John Tilbury
John Tilbury Wadada Leo Smith
How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
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How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Jandek’s second ever live performance, and the first to be advertised in advance.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?
A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?