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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Several frames of different saturated colours of a horse in motion
12 December 2004
DCA

Film Programme 6: Perception

Malcolm Le Grice Paul Sharits Various Artists

Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.

Kill Your Timid Notion 04
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
Two frames from a 16mm film with blocks of red, green, pink and yellow
29 November 2008
BFI Southbank CCA

About Face

Various Artists Paul Sharits

This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.

A jagged bluff of rocks juts out into a grey and moody sea as waves lap at shore
20 November 2019
Tramway

4 Waters: Deep Implicancy

Arjuna Neuman Denise Ferreira da Silva

What would a world and an ethics look like free from the destructive consequences of the Western mind?

Episode 10: A Means Without End
A man in a cat mask operates musical equipment
15 October 2005
The Arches

Birchville Cat Motel

Birchville Cat Motel

Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.

INSTAL 05
Steve Baczkowski and Ravi Padmanabha performing on stage
14 October 2006
The Arches

Steve Baczkowski and Ravi Padmanabha

Ravi Padmanabha Steve Baczkowski

Sax/Drums duo of raucous, pealing noise, and cries of beguiling lyricism, whispered sax phrases float in a timbral cloud of bowed metal and rumbling toms.

INSTAL 06
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Several bands of colour in blue pink and turquoise
18 October 2003
DCA

Short Film Programme 1: Retrospective

Various Artists

The first of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme focuses on the forebearers of filmic and musical innovation over the last 70 years.

Kill Your Timid Notion 03
A view looking down a stone spiral staircase. A pair of trainers is on a step.
14 February 2008
Glasgow Uni Music Dept

Personal Space

Aileen Campbell Neil Davidson

Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.

INSTAL 08
We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

A B&W collage of workers with a list of healthcare jobs as the background
15 April 2015
Tramway

Work Care Class 1 – Care & Work

Howard Slater

First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?

Episode 7: We Can’t Live Without Our Lives
A microphone wrapped in white paper on a mic stand on stage
20 May 2005
The Sage Gateshead

MICRO 1

Takehisa Kosugi

MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)

Music Lover’s Field Companion 05
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