Music Lover’s Field Companion 07
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.
Each organ is unique. The project is to find out what makes it unique.
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.