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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A performer plays instruments in a suitcase on a subway carriage
7 February 2008
The Arches

Personal Space

Nackt Insecten

Where we join Nackt Insecten’s disembodied spectral howls and heavyweight locomotive drones about SPT’s Subway.

INSTAL 08
Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
Arika_Episode2_EugeneThacker_AWoodward-3
26 February 2012
Tramway

Cosmic Pessimism

Eugene Thacker

A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?

Episode 2: A Special Form of Darkness
Three folks sit around a table looking at Sonia Sanchez as she gesticulates
20 April 2013
Tramway

The Experiment: Pt. 1

Amiri Baraka Fred Moten Wadada Leo Smith Sonia Sanchez

What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?

Episode 4: Freedom is a Constant Struggle
A figure in leather and studded cuffs wears a large visor with the word SHADE
20 April 2014
MoMA PS1

Respect the Runway: The Red Carpet to Mastery

Various Artists

Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.

Master Ballstar Weekend
Amelia is framed to the right of the picture smiling. They are wearing a sky blue tie dye shirt and brown cap. They are pictured in Abiquiu, New Mexico, by the Chama River, surrounded by cholla cacti blooming bright pink flowers with a mountainous landscape behind.
21 June 2023

Meditations in a Chronic Emergency

Amelia Bande

With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.

I wanna be with you everywhere 2023
Ryoji Ikeda pictured against a dark background
1 December 2002
The Arches

Formula [ver 1.1]

Ryoji Ikeda

Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting

INSTAL 02
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
Jarrod planting seeds in little cardboard plant pots, with a pink watering can
28 February 2010
DCA

Jarrod Fowler

Jarrod Fowler

What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?

Kill Your Timid Notion 10
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
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