JILAT
JLIAT / James Whitehead
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
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UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Arrive, get settled, be hosted and meet-up in IRL and URL.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.
“Introduction to Protactile Theory” is a legendary seminar that facilitator John Lee Clark has designed to bring diverse communities into conversation with the Protactile movement.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
An original and beautifully simple performed installation forging a direct link between sound and image.