Why improvised music is so boring
Diego Chamy Jean-Luc Guionnet Seijiro Murayama
An improvisation that may or may not involve (typical) improvisation.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An improvisation that may or may not involve (typical) improvisation.
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
An invitation into languages field of touch; to speak in feeling together.
Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities