A Plot, A Scandal
Ligia Lewis
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
A performed film lecture exploring how the ‘Rumberas’ of Caribbean cinema of the 40’s and 50’s subverted demeaning images of themselves through dance, sound and a sociality that insisted on blackness as being a cultural performance, not simply due to skin colour.
During their time in Scotland for Instal 06 Dave Dove, Bhob Rainey and Greg Kelly did some improvisation workshops and performances in and around Glasgow.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Each organ is unique. The project is to find out what makes it unique.
In Our Hands is a ten week programme of workshops facilitated by Lisa Fannen, Omikemi and Clay. The sessions explore radical approaches to health and collective care in the context of movement for liberation and social justice.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?