Blood Stereo
Blood Stereo Heather Leigh Murray
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
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Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Save the dates for Episode 12.
Wednesday 11 – Sunday 15 November 2026
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
Sax/Drums duo of raucous, pealing noise, and cries of beguiling lyricism, whispered sax phrases float in a timbral cloud of bowed metal and rumbling toms.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?
Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.