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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
14 October 2006
The Arches

Infest – Red Kites

Red Kites

Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.

INSTAL 06
a banner with painted letters saying sex work is work
20 April 2017
Terrence Higgins Trust

Community Discussion: LGBTQI People & Sex Worker’s Rights

Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.

Sex Workers’ Festival of Resistance
Rolf Julius leans forward over a large white box and mixer and performs
22 March 2009
The Arches

Music for a Long Time

Rolf Julius

Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.

INSTAL 09
Packing tubes stand on their ends. two blurred figures are sitting in the back
12 November 2010
Tramway

The Borders Play Sunno(((

Christian Kesten Lucio Capece

Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.

INSTAL 10
Projection of LIGHT MUSIC by Liz Rhodes in DCA Dundee
19 February 2006
DCA

Expanded Cinema: LIGHT MUSIC

Lis Rhodes

Light Music is a dizzying celebration of the pivotal nature of sound in film; a direct and powerful transcription of film as sound.

Kill Your Timid Notion 06
Arika_Episode2_RayBrassier_AlexiKukuljevich_TheViewFromNowherePart2_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 2

Alexi Kukuljevic Mark Fisher Ray Brassier

Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?

Episode 2: A Special Form of Darkness
Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
Jean-Luc and Toshi sitting near an organ
20 March 2009
Glasgow University Chapel

Jean-Luc Guionnet & Toshimaru Nakamura

Jean-Luc Guionnet Toshimaru Nakamura

Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.

INSTAL 09
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Film still of lit sparklers in close up
15 October 2006
The Arches

See Noise Hear Light Sunday

Arrington de Dionyso Eye Contact Kiyoharu Kuwayama Maryanne Amacher Matt Hulse Rina Kijima Tetsuya Umeda

Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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