Sex Work 101: The World’s Oldest Oppres(Profes)sion
Scotland for Decrim National Ugly Mugs
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.
5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.