Smith/Stewart
Smith/Stewart
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.
A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?