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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
Ingar Zach & Rhodri Davies on stage at INSTAL 05
16 October 2005
The Arches

Ingar Zach & Rhodri Davies

Ingar Zach Rhodri Davies

Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.

INSTAL 05
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
A gender queer performer sits in a chair on stage, smoking, flanked by plants
26 May 2013
Tramway

Boudry/Lorenz

Pauline Boudry Renate Lorenz

Trans-temporal drag, sexuality and the re-staging of illegible moments in history.

Episode 5: Hidden in Plain Sight
Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
Jerome Noetinger's hand twiddling a knob on a mixing desk is in the foreground
22 March 2009
The Arches

Jean-Philippe Gross & Jerome Noetinger

Jean-Philippe Gross Jerome Noetinger

Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…

INSTAL 09
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Steve Baczkowski and Ravi Padmanabha performing on stage
14 October 2006
The Arches

Steve Baczkowski and Ravi Padmanabha

Ravi Padmanabha Steve Baczkowski

Sax/Drums duo of raucous, pealing noise, and cries of beguiling lyricism, whispered sax phrases float in a timbral cloud of bowed metal and rumbling toms.

INSTAL 06
Steve McCaffery sits at a round table and reads into a microphone
21 March 2009
The Arches

Carnival

Steve McCaffery

Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.

INSTAL 09
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
10 October 2008
DCA

Salon and Q&A

Kjell Björgeengen William Bennett Zoe Irvine

A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.

Kill Your Timid Notion 08
Richard Youngs standing with a microphone at INSTAL 04
16 October 2004
The Arches

Richard Youngs

Richard Youngs

One of the most incessantly experimental musicians in the UK, Youngs’ aesthetic is entirely unique, never really part of any scene [whilst influencing many], steadfastly unafraid and honest

INSTAL 04
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