
Blood Stereo
Blood Stereo Heather Leigh Murray
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
On the birthday of Marsha P. Johnson, this event brings together several elements that celebrate the radical care and kinship characteristic of the Trans revolutionary.
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.