Masayoshi Urabe
Masayoshi Urabe
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
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Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.
Free-jazz chat with Sabir Mateen, Daniel Cater, Andrew Barker – hosted by Byron Coley.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
Save the dates for Episode 12.
Wednesday 11 – Sunday 15 November 2026
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.