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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Ryoji Ikeda pictured against a dark background
1 December 2002
The Arches

Formula [ver 1.1]

Ryoji Ikeda

Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting

INSTAL 02
Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
Ikuro Takahashi & Yoko Muronoi standing by a wall
12 May 2007
The Sage Gateshead

Anoyonodekigoto

Ikuro Takahashi Yoko Muronoi

A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.

Music Lover’s Field Companion 07
A wooden carved monkey smokes a pipe
20 March 2009

Extra Friday Set

Klaus Filip Radu Malfatti Sean Meehan Taku Unami

Quartet improvisation by Klaus Filip – laptop, Radu Malfatti – trombone, Sean Meehan – snare & cymbals, Taku Unami – rice and dish.

INSTAL 09
Lee Patterson sitting next to a projection of himself, pensive
10 October 2008
DCA

North West from Chester Hill, Composition – 10 (1960)

Lee Patterson Luke Fowler

A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).

Kill Your Timid Notion 08
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
An actor looks off stage left, his eyes seem scared and wary
19 February 2006
DCA

Film Programme 5: Drama

Christian Marclay Ian Helliwell Various Artists

Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.

Kill Your Timid Notion 06
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Two frames from a 16mm film with blocks of red, green, pink and yellow
29 November 2008
BFI Southbank CCA

About Face

Various Artists Paul Sharits

This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.

Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
Nat Raha speaks into a microphone while she reads
24 November 2019
Tramway

apparitions

Nat Raha

Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.

Episode 10: A Means Without End
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
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