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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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In Our Hands: radical approaches to health and collective care
Mondays, 10 March to 5 May, 6-9pm

In Our Hands 2025

In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.

A colorful pencil drawing of a figure, one tattoed arm is clenched in a fist
10 – 14 April 2019
Performance Space New York

I wanna be with you everywhere

I wanna be with you everywhere was a gathering of, by, and for disabled artists and writers and anyone who wanted to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy.

Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
A circle of chairs facing inwards
14 November 2010
Tramway

The Echo Project

Brandon LaBelle

The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.

INSTAL 10
Several frames of different saturated colours of a horse in motion
12 December 2004
DCA

Film Programme 6: Perception

Malcolm Le Grice Paul Sharits Various Artists

Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.

Kill Your Timid Notion 04
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
A silhouette of Delany in front of screen where a room is lit with green light
16 November 2017
Tramway

The Motion of Light

Samuel R. Delany

Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.

Episode 9: Other Worlds Already Exist
Robert Softley Gale working at a computer next to a bath robe
18 November 2017
Tramway

Discourse or Intercourse: One on One

Robert Softley Gale

Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?

Episode 9: Other Worlds Already Exist
still from country ball Jacob satterwhite
17 November 2017
Tramway

Screening Programme

Jacolby Satterwhite Paul Kindersley Samuel R. Delany Tiona McClodden

Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.

Episode 9: Other Worlds Already Exist
Angharad Davies, Tisha Mukarji, Andrea Neuman performing at MLFC 07
12 May 2007
The Sage Gateshead

Angharad Davies, Tisha Mukarji, Andrea Neuman

Andrea Neuman Angharad Davies Tisha Mukarji

Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.

Music Lover’s Field Companion 07
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

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