Is a survey a process of listening?
Barry Esson Jay Sanders
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.
Join Ståle Holgerson to discuss his new book Against the Crisis, hosted by Glasgow Housing Struggle Archive
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.