
Live Immersive Performance
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
In Ramayya’s visionary poetry, the body assumes as many forms as love produces states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self.
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Three intimate 45 minute sessions, reading your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.