
Fred Moten – Chat
Fred Moten
In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
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In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Profound mathematical ideas for romantics, to help us linger in the difference we share.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Glasgow. Low-end drone guitarage army in praise of the open chord.
Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.
A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Three iconic figures from the Japanese underground assembled as a trio to stand in for the advertised duo of Junko and Jerome Noetinger who was unable to attend the festival due to illness.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.